![]() Pushing the Silk button cycles the Silk modes from Red to Blue to OFF. Sends the mic preamp signal directly to the EQ when engaged.Ī 12-way precision rotary switch controls gain from 0 to 66 dB in 6 dB steps. However, this new circuit is a decidedly modern design with updated techniques and components that were simply not available 50 years ago, and is definitely not a “clone”.Ĭontinuously variable +/-6 dB level trim control. The high frequency band is a hybrid vintage / modern design, blending inductor circuitry with capacitor-based topologies to achieve vintage tones with enhanced control.Īs with Rupert’s most prized classic designs, each EQ section uses low-feedback, class-A discrete electronics to prevent low-level artifacts and harshness from detracting from the tonal shaping. The midrange band is based on that of the 1073, ideal for sweetening vocals and instruments while bringing them forward in a mix, and its proportional “Q” response makes it well-suited for minimizing problematic frequencies. ![]() The low frequency band is designed to produce a creamy, resonant bass response similar to a vintage 1064 – but unlike the vintage modules, the LF band on the 5052 can be used as either a shelf or a peak filter, adding punch, dimension, and control to your low end. ![]() The 5052’s 3-band, custom-tapped inductor EQ was inspired by our favorite elements of Rupert’s vintage EQ designs.
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